Wally Pfister -- the Academy Award-winning cinematographer who has lensed every one of Christopher Nolan's films since Memento -- has just landed his first ...
With writing credits like Taxi Driver and directing credits like The Comfort of Strangers to his name, there seems no better person to make The Canyons, written...
The concept of a "rock doc" can turn off a lot of people. The perception is that anyone unfamiliar with the band or genre in question will be lost to the na...
Music is an intensely personal thing for many people. We listen to it, assign it meaning, and sometimes build entire moments or stages in our lives around it. M...
Gone does a few things well. For one, the movie is gorgeous to look at. The cinematography on display here by Michael Grady is top notch. Moss-grown forests hav...
It's a rare thing when a director can enter a foreign land or culture and create a film that feels so authentic that it feels as though it were directed by ...
Certain careers are worth following turn for turn, even after a seemingly unbelievable amount of time. Martin Scorsese, for instance, continues to create po...
Jennifer Aniston (who is back with Wanderlust later this month) has just become attached to Miss You Already, an indie dramedy from director Paul Andrew Wil...
The old fashioned, hard-boiled noir thriller is one of the most surprisingly underused genres in modern film. Considering the classics that spawned forth fr...
There's a weird kind of war at the heart of The Vow that the film never manages to resolve. At the core of this story is an existential and moral dilema that co...
