Ruben Östlund might like his fish in a barrel but he's a ruthless shot. Following a Palme d'Or win for The Square, the Swedish filmmaker returns to Cannes in c...
It is lonely being an Anglophone Arnaud Desplechin fan, let alone one based in the U.K. A strong cult generated in the aftermath of his '00s arthouse hits King...
There are 574 federally recognized Native American tribes in the United States. South Dakota is home to nine, the majority of which lie on the western half. Al...
Spy thrillers are a dime a dozen. Rarer is encountering one set in an Egyptian mosque, much less Al-Azhar, one of the most significant mosques in Islamic histo...
Some actors slip into familiar roles like old sweaters. Emily Watson might prefer a raincoat. The actress first graced our screens in Breaking the Waves for La...
Armageddon Time is the sort of film usually invoked as a "portrait of the nation" or "state of the union address," something taking the temperature of a countr...
“I don’t want to be a symbol,” Kirill Serebrennikov told the New York Times earlier this year. Good luck with that. When Leto was selected for the Cannes Film ...
Most films ask nothing of you. You simply press play and watch the story unfold, gleaning context as the filmmaker colors in their narrative. But the occasiona...
In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of...
The Romanian New Wave has enjoyed quite a substantial few years with Bad Luck Banging, Malmkrog, Întregalde, and The Whistlers. One of its forebearers, Cristia...
