Two years on from swooping the Golden Bear in Berlin with Synonyms (one of our favorites of 2019), Nadav Lapid returns with Ahed's Knee, a fraught and blisteri...
There is no such thing as a typical Jacques Audiard film. Take his last three as examples: in 2012 he captured the trauma-induced romance between a wayfaring f...
Anybody who thinks writers who use subtext are cowards will find plenty to admire in The Divide. Taking place over the course of one night, Catherine Corsini's...
Writer-director Jonas Carpignano completes his Calabrian trilogy with A Chiara, an enthralling drama about a teenage girl coming to terms with her family’s rol...
The Port Arthur massacre, taking place April 28th, 1996 on the island state of Tasmania, is routinely commemorated as one of the darkest days in Australia’s po...
Relatively speaking, Ryûsuke Hamaguchi is having a good 2021. Less than six months on from picking up the Silver Bear in Berlin for Wheel of Fortune and Fantas...
Anthology films like The Year of the Everlasting Storm, wherein a flurry of esteemed directors create short segments tethered to a common theme, lack a strong ...
A car is knocked off-course on a quiet suburban street and crashes fatally into the front room of a well-furnished apartment. In the flurry of bricks and wall ...
After a pandemic-forced cancellation last year, Cannes Film Festival made a triumphant return this year, featuring some premieres pegged for the 2020 edition a...
“My work is all about transfiguration… I'm not a naturalistic filmmaker at all.” So goes one of the most widely quoted statements by French auteur Bruno D...
