The Film Stage - Page 670

‘Anthropocene: The Human Epoch’ Trailer Shows Humanity’s Impact on the Planet

An official selection at TIFF, Sundance, Berlin, and more, Kino Lorber has unveiled the first trailer for the visually awe-inspiring documentary, Anthropoce...

New Red Band Trailer for Quentin Tarantino’s ‘Once Upon a Time in Hollywood’

Premiering at Cannes Film Festival today is Quentin Tarantino's Once Upon a Time in Hollywood, a full two months ahead of the theatrical release, one of the...

Cannes Review: Isabelle Huppert Shines in Ira Sachs’ Stilted ‘Frankie’

In Frankie, the scattered personae of an unconventional family gather in the seaside Portuguese town of Sintra for what might be the last time. The matriarch, a...

Cannes Review: ‘Little Joe’ Blooms a Sterile World with a Muddled Conceit

Jessica Hausner’s English-language debut Little Joe promises a crossbreed of shrewd science fiction and health care satire, but it scuppers its genre creds in e...

The Film Stage Show Ep. 348 – John Wick: Chapter 3 – Parabellum

We discuss the balletic, no holds barred action of John Wick's third outing....

Cannes Review: Broadly Comic Noir Makes for Surprisingly Subpar Porumboiu in ‘The Whistlers’

Of all the great deadpan, acerbic realists that the Romanian cinema has thrown our way in the last twenty years, Corneliu Porumboiu has always been the best at ...

New Restoration Trailer for Iconic Ballroom Culture Documentary ‘Paris Is Burning’

Premiering nearly three decades ago, Paris Is Burning was one of the most influential documentaries of the 1990s, spotlighting ballroom culture in all its g...

Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a Wrenching Ode to Faith

When Austrian farmer Franz Jägerstätter (August Diehl) glances skyward and calls for God to show him a sign, to guide him, what does he hear? The rumbling of a ...

Cannes Review: Robert Pattinson and Willem Dafoe Astonish in the Boozy, Brilliant ‘The Lighthouse’

For all its finely considered dread, the reason Robert Eggers' ungulate-deifying debut The Witch made such a cultural mark had far more to do wit...

Montclair Review: ‘Yesterday’ Plays the Greatest Hits with Little Insight Into What Made Them Great

There's perhaps no genre Danny Boyle can’t work within. On the opposite spectrum from his darker works, Yesterday is a flawed yet mostly effective light and flu...

News

MUBI’s May 2024 Lineup Features Radu Jude, Bertrand Bonello, Lee Chang-dong & More

David Lynch Debuts New Remix — Listen

Eliza Hittman Sets Fourth Feature with MOTHERLOVE

Trailers

New Trailer for 4K Restoration of Time of the Heathen Captures a World After the Atomic Bomb

Jia Zhangke and Bi Gan Voice a Coming-of-Age Tale In Exclusive Trailer Debut for Liu Jian’s Art College 1994

Kiyoshi Kurosawa Covers Classic Terrain In First Trailer for Serpent’s Path

Reviews

Challengers Review: Non-Stop Lurid Entertainment Rides the Charisma of Its Stars

Omen Review: An Assured Debut That Never Falters in Ambition or Surprise

The People’s Joker Review: Superhero-Skewering Satire is Miraculous in Multiple Ways

Features

NYC Weekend Watch: Love Streams, Kiyoshi Kurosawa, Ozu & More

New to Streaming: Dune: Part Two, Hundreds of Beavers, Problemista, Immaculate & More

The Best Movies Now Playing in Theaters

Interviews

Frederick Elmes on John Cassavetes’ Infectious Confidence, Imitating Sven Nykvist, and Ang Lee’s Hulk

Becoming the Beast: George MacKay on Fighting for Bertrand Bonello’s Film, Learning French, and Modern Incel Culture

“I’m Not an Actor”: Léa Seydoux on Her Creative Self and False Public Perception

Podcasts

The B-Side – Robert Redford (with Blake Howard)

The Film Stage Show Ep. 534 – Monkey Man (with Jenny Nulf)

The B-Side – In Conversation with Larry Fessenden

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