“We are so excited to have you here and are blown away this is even happening,” I signed off on a hasty call to Coop Vidéo de Montréal, setting up an interview...
Every time I've seen The Beast there comes some point where I think Bertrand Bonello is the world's greatest under-60 filmmaker. Not quite a new stance for me ...
In Alice Rohrwacher’s La Chimera, the Italian writer-director’s fourth narrative feature film, the past melds with the present. Art is something to be dug up, ...
After a year-and-a-half of copyright drama, The People’s Joker is finally here. The daring mixture of both tones and form will be sure to impress anyone, even ...
The nearly year-long span from discovering Janet Planet's existence to seeing a single frame was fraught with worry. What if the extraordinarily talented Annie...
Though likely shot before he gave literally the one Academy Awards speech worth anything on this godforsaken earth, we can submit his new Prada ad starring Sca...
Complementing recent work with the Roxy Cinema and BAM, I've begun a monthly screening series at the Brooklyn Center for Theatre Research. It's called Amnesias...
Safe to assume the ongoing atrocities in Gaza will engender cinema, fiction and documentary alike, further into the future than we can imagine. Decades of aggr...
Following up his noir melodrama Decision to Leave, Park Chan-wook ventured into the world of American television with the forthcoming Max series The Sympathize...
An expectation of finality has followed Ken Loach’s The Old Oak since its premiere at the 2023 Cannes Film Festival. “When you’re doing it, you’re doing it, yo...