Criterion's got murder on their mind. This May will bring a 4K release of Michael Powell's career-killing masterpiece Peeping Tom, supplemented by appearances ...
There's last will and testaments, and then there's Ryuichi Sakamoto | Opus, for which the musician and composer (for whom adjectives are sometimes adequate) en...
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Justine Triet's Oscar-nominated drama Anatomy of a Fall, now in theaters and...
I only recently wrote a capsule for our most-anticipated-of-2024 feature where I acknowledge that, despite there being no true details on Olivier Assayas' Hors...
In The Heirloom, a couple facing lockdown decide to adopt a pet. It’s wintertime in Toronto, and Eric and Allie are chipping away at their COVID-restricted liv...
Marking an incredible escape from director jail, Alex Cox is ramping up his first feature in seven years (and perhaps the first well-financed project in 20-plu...
Update: Speaking at the Doha Film Institute's Qumra event in Qatar, Leos Carax confirmed It's Not Me runs a swift and slim 40-or-so minutes. Per Deadline, he e...
Some apotheosis of film culture has been reached with Freddy Got Fingered's addition to the Criterion Channel. Three years after we interviewed Tom Green about...
At the end of last year we learned that Film Movement picked up four new 4K restorations of the films of Lee Chang-dong: Green Fish (1997), Peppermint Candy (1...
Bertrand Bonello's The Beast isn't George MacKay's only film arriving this spring. Sam H. Freeman and Ng Choon Ping's thriller Femme, for which MacKay picked u...