Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, associate editor Nick Newman, and I share ou...
Opening a film with ending of a story is a daring move that requires much confidence on the filmmaker’s part. Billy Wilder’s Sunset Boulevard is the rare animal...
Premiering at the Sundance Film Festival a few months ago, Primer writer-director Shane Carruth delivered another divisive work of science-fiction with the ...
Sarah Polley's Stories We Tell is an exquisite, elegant rebuke to the standards that define so many of our most popular filmic narratives: three-act structures ...
It was 2004 when director Shane Carruth debuted his first feature film, Primer, at the Sundance Film Festival. Now, nine years later, Carruth returns with h...
After a longtime career as acting coach for the likes of Jet Li, Harold Guskin heads behind the camera for his directorial debut Down the Shore with the help of...
Directing his first film since 2005’s Down in the Valley, David Jacobson finds himself in very similar tonal territory with Tomorrow You’re Gone. Written by Mat...
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, associate editor Nick Newman, and I talk abo...
The saying goes as follows: "behind every great man stands a great woman". No words are truer said for renowned sculptor/designer Isamu Noguchi if Hisako Matsui...
Note: The trailer for Trance, I think, does a good job of representing the film without revealing significant plot specifics. I have tried to stick to that agen...