Tyler Perry is back in full force as a cinematic wonder, pulling off things that quite simply shouldn’t work. Creating an inherently theatrical work that requir...
16 years ago writer-director Andrew Niccol crafted one of the most well thought-out, dramatic, and moving science-fiction universes with his cult classic, Gatta...
There's a bravado throughout G.I. Joe: Retaliation that never quite rings true. As much as they talk it up, it's more of a rooster's plumage than reality. "Roar...
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, associate editor Nick Newman, and I talk abo...
Thrillers with a bit of amorality at their center are always a welcome treat when Hollywood seems too quick to make theirs possess ironclad happy endings. The t...
Artistic integrity -- is it a dying concept or has the definition simply changed? As a freshman in college I began admitting to anyone who asked my major that p...
I should sue TV pitchman Vince Offer for false advertising: a comedy implies humor and potentially laughter, yet not one laugh is found within easily the worst ...
Olympus Has Fallen is a TNT movie, but the best of its kind: one that knows exactly what it is. Director Antoine Fuqua seemingly tailored his heavy-duty actione...
There is genuine heart and an intriguing theme inside of The Croods, the latest from DreamWorks Animation. Directors Chris Sanders and Kirk De Micco have an odd...
Bolstered by a script ranking number three on the 2010 Brit List—a film industry tabulation of the best unproduced British screenplays—Eran Creevy's Welcome to ...