A selection at Telluride and TIFF last year, Christy Hall's directorial debut Daddio follows Dakota Johnson's character who picks up a cab at the JFK airport o...
Ever since seeing his stellar performance in Philippe Lesage's Genesis, it's been great to see Théodore Pellerin expand his resume with films by Eliza Hittman ...
With Cannes Film Festival kicking off in less than a month, one title that is sure to rile up the crowds is the Midnight screening selection of Soi Cheang's Ho...
Death, taxes, and one-to-three Hong Sang-soo movies per year. I much prefer the latter, and it's nice knowing we're just a month out from In Our Day, his 30th ...
One of our favorites from last year's Locarno Film Festival, where it picked up the Boccalino d’Oro for Best Director, Lucy Kerr's directorial debut Family Por...
Following the best movie of last year, 2024 brings a lesson in cinema history from Martin Scorsese. He’s narrated a new documentary on two of the greatest...
While her performance in Bottoms may have gotten the most buzz out of South by Southwest Film Festival last year, Rachel Sennott also brought a dramedy to the ...
The first British feature written and directed by a Black feature did not come, improbably and somehow, until 1976. This alone would make Horace Ove's Pressure...
After rounding out a fruitful festival run that spanned Venice to last month's First Look, Bill Ross IV and Turner Ross’s seventh feature Gasoline Rainbow open...
Named for the belittling label the older generation of Nigeria has given for its aimless youth, Alain Kassanda's Coconut Head Generation refutes this suppositi...
