One of the most beautiful, tender, and mysterious films of the year, Andrew Haigh's All of Us Strangers follows Andrew Scott as his character strikes up a rela...
In a rare feat, Kristoffer Borgli premiered his second U.S. release of the year after the jet-black Norwegian comedy Sick of Myself. Teaming him with Nico...
To celebrate the release of Mark Cousins' new documentary The Storms of Jeremy Thomas, a portrait of the Oscar-winning producer responsible for bringing to lif...
Unless Taylor Swift's concert film truly surprises, we imagine the trippiest film to arrive this year will be landing on the same release date of October 13. E...
Few titles from this year's Cannes were a bigger surprise than The Delinquents, a three-hour-plus Argentinian crime comedy with existentialist leanings. Word f...
Following his western sci-fi feature Asteroid City, we're getting a whole lot more Wes Anderson this year, specifically later this month on Netflix. His latest...
After years of rumors, confirmations, production, post-production, waiting for release news, a Cannes premiere, and two-week theatrical delay, we might abstain...
After seven long years following the one-two, varied punch of Midnight Special and Loving, director Jeff Nichols is finally back. The Bikeriders––bringing toge...
Shrouded in a veil of secrecy up until its Japanese release this past July, Hayao Miyazaki's first feature in a decade and potentially the 82-year-old director...
One of the most visually ravishing movies I saw at Sundance Film Festival early this year was C.J. “Fiery” Obasi’s Mami Wata, "A West Afrikan Folklore," as our...
