In Blue Caprice, a taut character study of the two men behind the 2002 D.C. Sniper shootings, writer-director Alexandre Moors does an effective job of offering ...
Working with a subject matter that at least half of the country can directly relate to, A.C.O.D. (a.k.a. Adult Children of Divorce), starring Adam Scott, works ...
The day has yet come in which Tom Green’s Freddie Got Fingered has been considered a landmark of surrealism, nor I fear will it for the uneven, half-baked gross...
On New Year’s Day 2009, 22-year-old Oscar Grant's life was taken by BART police officer Johannes Mehserle in Oakland, California, leaving behind his longterm gi...
Something of a Sundance darling, Lynn Shelton mastered the art of the micro-drama with Humpday and Your Sister's Sister, two small indies with high concepts and...
There is an ease at which Matthew Porterfield's I Used To Be Darker moves that is at once aggravating and captivating. Telling the deceivingly simple tale of on...
There's an energy to Parker in the violence and kinetic action that is, at times, stunning. Yet, somehow the star of the film is pushed to the side by those ele...
Fairy tales are a nasty business, and the works of the Brothers Grimm are no exception. The watered down versions readers know now once scared German tots with ...
One has to give props to the multi-talented Joseph Gordon-Levitt for pulling off something special with his directorial debut Don Jon's Addiction. In addition t...
With its title and talent, one can at least establish some expectations for the experience that is Hell Baby, the latest absurd, idiotic and mostly hilarious fi...
