Hollywood has proved there are a multitude of ways to handle a biopic. One can go the outside-the-box route with something like Todd Haynes' look at Bob Dylan w...
Despite the hilarious Pineapple Express, there's no denying David Gordon Green has been on a downward spiral with each new step into the world of studio comedy....
With John Krokidas’ Kill You Darlings, we are given yet another entry into the still-burgeoning Beat Generation brand. At this Sundance alone, we have been help...
Returning to Sundance Film Festival just one year after his overlooked drama Smashed, director James Ponsoldt shows a mature step forward with his coming-of-age...
Serving as an engaging antithesis to last year’s Sound of My Voice (a cryptic piece of filmmaking that left a myriad of questions unanswered), Zal Batmanglij’s ...
If one were to ask what film is generating the most buzz at this year's Sundance Film Festival, the answer would most likely be the audacious and provocative Es...
It appears Pablo Berger's silent, black and white interpretation of the Brothers' Grimm's Snow White has become a casualty of its subject's overexposure outside...
Point in fact, very little is necessary about Fredrik Bond's mostly dreadful feature debut The Necessary Death of Charlie Countryman. Starring Shia LaBeouf as t...
The Way, Way Back, written and directed by Nat Faxon and Jim Rash, is the kind of independent film the Sundance Film Festival has become synonymous with: a wide...
Writer/Director Jim Mickle is no stranger to indie horror films, having had a fairly successful run with his 2010 vampire thriller Stakeland. That same year, an...
