When sitting down to watch The Look of Silence – Joshua Oppenheimer's follow-up to 2012's harrowing The Act of Killing – you're struck by how quickly you can sl...
You don’t have to be familiar with the films of Mario Bava, Sergio Martino, Paolo Cavara, or even Dario Argento to appreciate The Strange Color of Your Body’s T...
Kicking off the 71st edition of the Venice Film Festival this morning, Alejandro González Iñárritu's Birdman has all the markings of a great festival opener: it...
Winter in the Blood is the sophomore effort from twin directors Alex and Andrew J. Smith, who first gained notoriety more than a decade ago with their debut fea...
This year's most tonally out-of-place ending goes to Cam2Cam. A horror/thriller pitting the murderer of a young American in Bangkok against the victim's sister ...
The world of Frank Miller’s Sin City was a stunner when it first appeared in print in the early 90’s and on the big screen in 2005. Basin City, as imagined by M...
The impetus for Sean Ellis' Metro Manila could have simply been an intriguing anecdote to tell people upon returning to England from a trip visiting a friend in...
I am not a proponent of stories that hinge the possibility of undying live between teenagers on an unspeakable tragedy. This was my biggest issue with the overw...
Riveting entertainment, Dinosaur 13 is one of those happy accidents of documentary filmmaking. Speaking on a panel before its screening at the Montclair Film Fe...
Relationships are never simple and they certainly don’t feel easy in Jealousy. However, there is a seeming simplicity to the filmmaking, courtesy of veteran fil...
