Sloppy, silly and sporadically amusing, Let's Be Cops feels like one of those 90s comedies expanded from an SNL sketch. The core idea is ripe for comedy, but th...
Can we all agree that three of these is enough?
Granted, back in 2010, the pitch seemed entertaining. An R-rated action romp, written and directed by the "ac...
After four entries into the Step Up saga I knew exactly what to expect upon entering the latest, Step Up All In. Like the pornography of yesteryear, the Step Up...
The failure of the new Teenage Mutant Ninja Turtles is not a result of irreverence towards the original source material, but rather a lack of curiosity and imag...
Joachim Pinto’s What Now? Remind Me begins as a personal diary film, a chronicle of his ongoing to struggle to live with AIDS, interesting primarily because of ...
I feel a bit like François Truffaut diagnosing “A Certain Tendency of French Cinema," but after In Our Nature, The Big Ask, Lullaby, and now Jesse Zwick’s About...
With Chocolat and Salmon Fishing in the Yemen under his belt, The Hundred-Foot Journey isn't anything approaching new territory for director Lasse Hallström. Bu...
The Dog is a lively, epic documentary biography of John Wojtowicz, an anti-hero of sorts in New York’s gay rights movement. A later episode in his life would be...
We need to talk about Into the Storm's unsung hero: Lucas. Played by Lee Whittaker, most won't think twice about his character standing on the sidelines with ca...
Shifting modes from his previous personal investigations, Alex Gibney, perhaps the second-greatest documentary filmmaker working today, is absent from his lates...
