Although their features thus far come from different minds (both on the page and when it comes to the execution), the Oregon-based stop-motion studio Laika clea...
Roy Andersson's films are a rare Swedish treat, only coming after we patiently wait for him to carefully assemble those meticulous Studio 24 sets necessary to h...
Shot over 20 days, largely in director Barry Levinson's own Connecticut house, The Humbling is an adaptation of Philip Roth's novel looking at the enigmatic fig...
A slow burner that perhaps is more deserving of the theatrical experience than VOD, The Calling is a handsomely lensed thriller set towards the end of winter in...
While mostly delightful, yet not terribly insightful, Cantinflas is a warm and nostalgic look at the business of show, including one instance where the Golden A...
Although incantations and intimations of the arcane spring to mind when considering the title of the new Brothers Dowdle thriller As Above, So Below, the film’s...
After mysteriously withdrawing from Cannes a few months back, Fatih Akin's The Cut lands at the Venice Film Festival as one of the highest-profile titles in the...
With Prince Avalanche and Joe (also competing for the Golden Lion in Venice) audiences could feel very comfortable in their newly-repositioned set of expectatio...
A few brain cells short and a handful of years too late, The November Man arrives in theaters, the longtime passion project of former James Bond player Pierce B...
Ramin Bahrani made a name for himself with three independent films over the last decade, focusing on humanity's daily struggles, reinvented foreign lives in Ame...
