Who are we without museums? Supposedly a tribute to France’s artistic excellence throughout the centuries, Francofonia quickly reveals itself as an exploration ...
How amazing it is that a human being one century from now can fire up their wind-powered neuro-image-emitter, put on Frederick Wiseman’s In Jackson Heights, and...
Premiering out of competition at the Venice Film Festival, Scott Cooper’s Black Mass goes deep inside Boston’s underworld to chronicle the life of real-life gan...
The latest film from Thomas McCarthy, the actor-turned-director behind The Station Agent and Win Win, focuses on the Pulitzer-winning Spotlight team from the Bo...
If there were any question marks still floating over Cary Fukunaga’s credentials, his latest film, Beasts of No Nation, should flick them aside with ease. Based...
Curtain raisers seldom come more bombastic than the last two films to open the Venice Film Festival, Alfonso Cuarón’s Gravity in 2013, and Alejandro González Iñ...
Horror – primarily quality horror - has undergone major changes over the past decade in its approach to depicting the age-old conflict of man versus the Other. ...
The first thing to announce itself in The Second Mother is an insistence on never losing sight of Val (Regina Casé), the maid, chef, and occasional surrogate pa...
Violence is a true horror in No Escape, a gripping microcosm of inhumanity set during a brutal coup d’état. Director John Erick Dowdle has a knack for placing a...
Let it be so, 2015 is the year of EDM (Electronic Dance Music) in film. Earlier this summer, we were given Eden, a little-seen but much-loved chronicle of a Fre...
