Apparently kids from Baltimore to County Durham to Auckland have the same problem: parents just don’t understand. So little has changed since Will Smith and DJ ...
Lily Tomlin has had more than just one “role of a lifetime” in her filmography, but in writer/director Paul Weitz’s Grandma she’s given the type of project that...
While watching The Mend, the debut feature from writer-director John Magary, I was often reminded of a favorite point from Roger Ebert’s review of Pulp Fiction....
From its first few shots, it's clear that American Ultra is removed from the relatively grounded drama of Greg Mottola's underrated Adventureland, the last film...
The freewheeling, frothy tone of Guy Ritchie's The Man from U.N.C.L.E. fits in perfectly with what has, so far, been a year full of light-as-air spy films. Jame...
In the acerbic indie comedy Fort Tilden, Brooklyn denizens Harper (Bridey Elliott) and Allie (Clare McNulty) prepare for a day at the Rockaways, where they plan...
Return to Sender is an equally repulsive and dreadful movie that deserves to be more than spoiled -- it should be murdered, buried, and never discussed again. T...
He's explored themes of love, matriarchal bonds, and just about everything in-between, and Xavier Dolan's fourth feature, Tom at the Farm, certainly doesn't aba...
The endurance of the human body and the unceasing determination to reach untouched heights are age-old elements of both Hollywood fiction and storytelling in ge...
As a child, flipping through the pages of a National Geographic Magazine often allowed me the privileged position of imagining what it might be like to live in ...
