Reviews

[Venice Review] The Endless River

A family’s brutal murder is the catalyst for this hackneyed treatise on victims and perpetrators in this slow-burning, rudderless South African entry in competi...

[Venice Review] The Event

If the films competing for the Gold Lion so far this year have taken an abstract, decorative or glamorized view of the real world, the ones being shown in the o...

[Venice Review] A Bigger Splash

Despite a loose script that justifies little, Italian director Luca Guadagnino’s follow-up feature to his glorious melodrama I Am Love is a sweaty, kinetic, dan...

[Venice Review] Janis

A chance oddity has occurred in the great European festivals this year. With no clear discernable connection between them, biopics of arguably the three most fa...

[Venice Review] The Daughter

Each unhappy family is unhappy in its own way -- and some are off-the-scale unhappy. At the end of Australian theatre director Simon Stone’s absorbing, menacing...

[Venice Review] The Clan

Who says there’s no place for meaty, gritty thrillers at A-list film festivals? Argentinian director Pablo Trapero’s El Clan (The Clan) is exactly the kind of c...

[Venice Review] The Childhood of a Leader

The feature debut from young actor turned screenwriter-director Brady Corbet, The Childhood of a Leader is an ambitious choice for a first project -- a period p...

[Venice Review] The Danish Girl

As far as directors go, it doesn’t get much more middle-of-the-road than Tom Hooper. His films tend to feature clear-cut, identifiable conflicts sketched out in...

[Venice Review] Equals

Lobbing the proverbial one up for dissatisfied critics to knock out of the ballpark, Drake Doremus’ Equals is a love story set in a dystopian future where emoti...

[Venice Review] The Wait

Seeing that the film starts in the middle of a memorial service, it doesn’t qualify as a spoiler to reveal that the unseen hero of L’attesa (The Wait) - the sub...