Eighteen years after Bulworth and fifteen after Town & Country (his last time directing and acting for a feature film respectively), Warren Beatty returns t...
Monster movies are tough because there's a desire to go full bore into cat and mouse chaos or metaphorical symbolism. Things get muddled when both are attempted...
If you've seen writer/director Erik Reese's debut Train to Stockholm—a personal, introspective drama—the thought of him helming a down and dirty Nevadan desert ...
To hear about Gary Faulkner is to know the meaning of the phrase "stranger than fiction." This is a Chatty Cathy of a Colorado handyman who was visited by God o...
In 2016, I Am Not Your Negro is perhaps destined to be tethered to other recent pieces of racially charged social advocacy, 13th and OJ: Made In America, but Ra...
The Happiest Day In the Life of Olli Mäki is a boxing biopic that has no interest in the sport of boxing. Winner of the Un Certain Regard prize at this year’s C...
"I don't know why death is always the same, but it is," cryptically muses Peter Dunning, the owner of Vermont's Mile Hill Farm, after he's slaughtered a sheep. ...
Antoine Olivier Pilon has a naturally defensive presence. Previously the breakout from Xavier Dolan’s caustic melodrama Mommy, his body language is less reactio...
If you went to a Regal Cinema during the month prelude to The Legend of Tarzan's release you will know the insane statistics depicting the sharp decline of livi...
In the early minutes of Chinese director Yang Chao’s sophomore feature, a fish is thrown into a bowl of water somewhere along an anonymous riverbank, darkened w...
