Reviews

[Review] Doctor Strange

With only a solitary passing mention of The Avengers, Doctor Strange is as stand-alone an adventure as we will get from Marvel -- prior to a mid-credits sequenc...

[Review] By Sidney Lumet

In the wake of Noah Baumbach and Jake Paltrow's wonderful De Palma, a documentary concerning the life and career of director Brian De Palma, it's difficult to l...

[Review] Inferno

It's appropriate that the act of illusion plays such a central role in Inferno, for the film itself spends a lot of time masquerading as though it's something l...

[Review] Oasis: Supersonic

Oliver Stone. That’s the filmmaker who should have been asked to chronicle the career of Oasis, the hugely successful, ever-combustible, now-departed kings of B...

[LFF Review] The Autopsy of Jane Doe

André Øvredal’s last feature, the monster mockumentary Trollhunter, was thrillingly irreverent -- a cruelly funny movie that turned Norwegian mythology into a r...

[Review] The Unspoken

There are only so many iterations of the haunted house trope and yet they continue getting made. Sometimes we're lucky with James Wan's The Conjuring series del...

[LFF Review] David Lynch: The Art Life

Before David Lynch was a filmmaker, he was a struggling painter, whose lifeblood was to “drink coffee, smoke cigarettes, and paint." That’s what he dubbed "the ...

[Review] Boo! A Madea Halloween

You know you are in trouble when the funniest part of a movie is Madea's discussion of her retirement account. (She calls it her “Ho-01K” account, because she c...

[Review] The Whole Truth

It's been a curious few weeks for adult fare at the multiplex. With girls on trains, autistic accountants and ex-military vigilantes, there's no shortage of mov...

[LFF Review] Porto

One of Anton Yelchin’s final screen performances lifts the melancholic ode to one night’s lost passion in Porto, a messy, scattered drama that, for all it...