Fallen Leaves, Aki Kaurismäki's first film since 2017’s The Other Side of Hope, took home the Jury Prize from this year's Cannes while charming critics more th...
Word on Wim Wenders' Perfect Days is strong––stronger than any fiction feature he's made since, God, who can even count. But though its Cannes premiere nabbed ...
With the festival kicking off tomorrow, Telluride Film Festival has now unveiled its lineup, featuring new films from Jeff Nichols (the first image from which ...
For whatever reason there's been surprisingly little hype about an Errol Morris documentary on John le Carré––a crowded fall season? that Steve Bannon thing le...
Few movies this year loom like Ferrari, the long-awaited and much-delayed return of Michael Mann. Ahead of its Venice premiere, New York Film Festival showing,...
Vote of confidence, strike-related shakes, or some combination thereof? Whatever the case, us coastal elites have to wait two extra weeks for Martin Scorsese's...
Bringing two projects to Toronto International Film Festival (and likely would've been a trio if a certain film didn't get delayed), Colman Domingo is poised f...
Following the first three section announcements, the final film section of the 61st New York Film Festival has been unveiled with Currents. Complementing the M...
After exploding in a major way last year with Elvis, Austin Butler is gearing up for a big fall, leading WB's next major blockbuster with Dune: Part Two as wel...
Few American filmmakers of the last 40 years await a major rediscovery like Hal Hartley, whose traces in modern movies are either too-minor or entirely unknown...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
