Iranian director Mohammad Rasoulof won Cannes’s Un Certain Regard award in 2017 with his bruising, brilliant drama A Man of Integrity, which explored how an op...
An aspiring twenty-something writer with a couple of poems in The Paris Review, Joanna’s just landed a gig at a New York-based literary agency. Working on othe...
Women from Shakespeare’s oeuvre find themselves reincarnated in modern-day South America through the recent works of Argentine director Matías Piñeiro (Hermia ...
What if you never knew your family, and they remained in photographs on a mantelpiece, their lives to be dreamed of, destinies to be imagined? That’s the premi...
Courtney Stephens and Pacho Velez’s documentary The American Sector announces its intentions from the very beginning, starting with its first three juxtaposed ...
Framed as a series of tableaux, in which the residents of a seaside town on the Galician coast appear to be stuck in time–unmoving against the changing scenery...
It is no use of hyperbole to suggest that DAU. Natasha already looks like one of the most provocative art films ever made. The first strictly theatrical featur...
Following last year's Late Night, Nisha Ganatra is returning quickly with her follow-up. The Hight Note, arriving this May from Focus Features, stars Dakota Jo...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Beasts of the Southern Wild was the indie darling of 2012 having racked up
prestigious festival wins en route to four Oscar nominations. Despite being credited...
