After more than a week-and-a-half of screenings, the 67th Cannes Film Festival comes to a close today, and while one can catch up on all of our reviews, int...
While much of the talk surrounding Wes Anderson this year pertains to his latest, excellent film The Grand Budapest Hotel (our discussion here), next week w...
Dailies is a round-up of essential film writing and other highlights from our colleagues across the Internet -- and, occasionally, our own writers. If you'd...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highligh...
Following his sudden, tragic death, Philip Seymour Hoffman's last appearance on screen will be the back-to-back finales to The Hunger Games, but when it com...
It's already been seen in other countries in full, but with a staggered U.S. release for Lars von Trier's two-part Nymphomaniac, it can be slightly confusin...
A funny thing happened at some point in these past few years: Wes Anderson became embraced once more. While America’s tidiest teller of tragicomic stories had n...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we believe it's our duty to highlight ...
It's August 14th in Pico Mundo, CA and the world is about to end. Well, not the world per se, but the community young Odd Thomas (Anton Yelchin) resides. Sort o...
Wes Anderson's films have always had his unique stamp, but as of late, the director, seems to be getting more and more precise with his rigid, immaculate de...
