Shot over 20 days, largely in director Barry Levinson's own Connecticut house, The Humbling is an adaptation of Philip Roth's novel looking at the enigmatic fig...
Set to premiere tomorrow at Venice Film Festival before stopping by Toronto later this month, A Pigeon Sat on a Branch Reflecting on Existence marks the lon...
While one can currently enjoy the first iteration of Nymphomaniac in the comfort of their own home on Netflix, there's more Lars von Trier around the corner...
One of our most-anticipated fall festival titles will be debuting in a few days at Venice and today the first trailer has arrived. After (loosely) providing...
After mysteriously withdrawing from Cannes a few months back, Fatih Akin's The Cut lands at the Venice Film Festival as one of the highest-profile titles in the...
With Prince Avalanche and Joe (also competing for the Golden Lion in Venice) audiences could feel very comfortable in their newly-repositioned set of expectatio...
Ramin Bahrani made a name for himself with three independent films over the last decade, focusing on humanity's daily struggles, reinvented foreign lives in Ame...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
When sitting down to watch The Look of Silence – Joshua Oppenheimer's follow-up to 2012's harrowing The Act of Killing – you're struck by how quickly you can sl...
Set to premiere at Venice Film Festival before stopping by TIFF and NYFF, Joshua Oppenheimer's follow-up to The Act of Killing is arriving sooner than an ex...
