Venice

[Venice Review] Afternoon

It’s always been easier to review Tsai Ming-liang’s films than to make sense of them. Characterized by an often impenetrable language of silence and immobility,...

[Venice Review] Remember

A partial return to form for director Atom Egoyan comes in this Christopher Plummer-starring geriatric revenge thriller – Nazi hunting for the Best Exotic Marig...

[Venice Review] Blood of My Blood

The town of Bobbio, in central Italy, often recurs in Marco Bellocchio’s history, in the same way that the 17th-century episode of the ‘nun of Monza’ (whose aff...

[Venice Review] De Palma

Earlier this year, Kent Jones’ Hitchcock /Truffaut -- a documentary on the famous interview sessions between the two directors -- boasted perhaps the most chaot...

[Venice Review] Taj Mahal

The attacks of November 2008 in Mumbai that left 195 people dead become a claustrophobic, almost austere affair in the hit-and-miss Taj Mahal, starring Nymphoma...

[Venice Review] Heart of a Dog

As the Venice Film Festival enters its final phase, the competition throws up perhaps its most unknown quantity as celebrated New York City polymath Laurie Ande...

[Venice Review] 11 Minutes

An emperor’s new clothes of technical virtuosity, veteran Polish director Jerzy Skolimowski’s latest is a frenetic, kinetic, but largely insipid speed through t...

[Venice Review] Man Down

Such is my fondness for 2006’s A Guide to Recognizing Your Saints that even ten years later I’m always on the hunt for new films from director Dito Montiel. The...