Amongst a typically raucous lineup at this year's Venice Film Festival comes Evil Does Not Exist, a work in which tensions rise over little more than the place...
Is it possible to leave your enfance without losing your terrible? The one-and-only Harmony Korine, now 50 years young, returns with Aggro Dr1ft, a premiere ou...
Murderers abound in the cinema of David Fincher, yet up until now they've tended to operate on the margins (Se7en, The Girl with the Dragon Tattoo) or hardly a...
Bradley Cooper is undoubtedly feeling the Bern. There’s something very endearing about Cooper’s star persona, not least the fact that, of all modern Hollywood ...
In The Palace, guests of a luxury hotel prepare to celebrate the turn of the millennium. The caviar is tasted. The fireworks are readied. Soon (you guessed it)...
In Modena, everyone is losing––the football club, the women, the Ferraris. It’s the spring of 1957, and ex-racer-turned-entrepreneur Enzo Ferrari (Adam Driver)...
Bella Baxter––whose organic internal makeup I’ll leave to shocking reveal––was born an adult woman. The furiously beating heart of Yorgos Lanthimos’s new film,...
If you witnessed the chaos unfold in Kabul airport two years ago, it probably won't come as much of a surprised to learn the US Army left a helicopter or two i...
If the recent mushrooming of A.I. recreations and YouTube / TikTok parodies of Wes Anderson’s cinema serve any purpose, it’s to show that his ongoing allure is...
Whatever one may think of Luc Besson’s oeuvre, his films work best when they live up to their trashy potential. The director’s cinema is littered with all-out ...
