The Wizard of Oz has become a tradition. Synonymous with the wonder of childhood and the wonder of movies, Victor Fleming's 1939 classic plays in homes across ...
The relationship between documentary subject and documentarian has been fraught with conflict since the genre’s evolution beyond “actualities” and into a narra...
The Chelsea Hotel has a storied history of artistry, creativity, and death. Coming to fame as a place for bohemians to find cheap rent, it grew in notoriety wi...
Don’t Make Me Go matches John Cho with Mia Isaac for a father-daughter road trip across the states. From director Hannah Marks and screenwriter Vera Herbert, t...
Butterfly in the Sky, a documentary from Bradford Thomason and Brett Whitcomb, revisits the impact of Reading Rainbow and its host, LeVar Burton. For 23 years ...
Despite its generic title, B.J. Novak’s feature-directing debut Vengeance is a smart, subversive fish-out-of-water comedy about a stereotypical coastal elite t...
Considering comedy is entirely subjective and in the eye of the beholder, I suspect fans of the comedians in Sarah Adina Smith's The Drop––allowed free reign t...
Roger Ebert once said movies are like a machine that generates empathy. Such is the third feature by Frank Berry (Michael Inside, I Used to Live Here). Followi...
Despite the rich texture of its late-1970s setting—the beginning of the latch-key kid era—Scott Derrickson’s The Black Phone fails to transcend its central pre...
As complex and conflicted as the man himself, Rudy! A Documusical––which premiered on the same evening as the first primetime January 6 hearing––never quite kn...
