There are some huge ebbs and flows in Dan Gilroy's Nightcrawler. At times I loved it, others I felt bad for laughing, and some instances made me wonder what exa...
There's a great reference in Welcome to Me about Cindy Sherman that many may gloss over. Director Shira Piven and screenwriter Eliot Laurence made mention to Ne...
After enjoying Ruba Nadda's Inescapable and hearing praise for Cairo Time I was intrigued by her latest effort, October Gale. For whatever reason Nadda doesn't ...
I kept trying to think about what films Zhang Yimou's Coming Home reminded me of while watching. Obvious ones came to mind like Away From Her and Amour where Go...
Every movie should have a score by Ludovico Einaudi and it's comforting to see Olivier Nakache and Eric Toledano agree. After using his haunting music on the sk...
We are the pale blue dot of Earth? No. We're the intermittently blinking light on the end of an out-of-touch parent's device for transparently spying on the ele...
Relationships are the kind of experience dependent on context. Environment and circumstance dictate the way people deal with one another and respond to one anot...
Thirty-six short films were selected as part of the Toronto International Film Festivals 2014 brand new Short Cuts International. Expanding their slate ...
A constant fixture with the National Film Board of Canada, director Alanis Obomsawin's latest documentary spans a variety of themes surrounding the weighted sub...
Finding international acclaim with the bleak, riveting 2011 Belgian drama Bullhead, director Michaël R. Roskam has returned with his Hollywood follow-up, the En...
