I’ll bet Laura Wade’s 2010 play Posh is something special to see on stage. A fictionalized take on Oxford University’s exclusive Bullingdon Club, it’s debaucher...
No one is ever going to say Ross Katz's Adult Beginners is original. The opening implosion for Jake's (Nick Kroll) multi-million dollar investment project was d...
There is a vast spectrum between the most insensitive and compassionate cinematic portrayals of cross-dressing, and François Ozon’s The New Girlfriend aims some...
Deceptively gentle and delightful, High Society is a distinctively French drama of manors from Julie Lopes-Curval who knows this territory intimately. (Lopes-Cu...
Haemoo is an effective moral thriller that immediately mirrors the best work of its co-writer and producer Bong Joon-ho. What starts as slow and straight-forwar...
Adapted from a New Yorker essay and directed by Isabel Coixet (Elegy), Learning to Drive is often tender and delightful. Traversing territory covered in her pre...
Part Todd Solondz, John Waters, Nicole Holofcener, and Bridesmaids, the bitter and cynical Preggoland is a unique comedy. Despite occasionally edging towards ru...
The second collaboration between the artist collective known as The Yes Men and documentarian Laura Nix takes a more personal look behind the collective. The cu...
The trend towards the narrative of the victim in cinema has hit critical mass lately, with all manner of films delving into stories of people who are abused and...
August Strindberg’s 1888 play Miss Julie traces the transference of indignity between two souls who share little more than a pervasive sense of unbelonging. Var...
