There's method acting, and then there's something else altogether. For Stephen Frears' forthcoming Lance Armstrong biopic The Program, star Ben Foster deepl...
The opening credits of Nanni Moretti’s Mia Madre, with portentous music set against a black background, set off a few warning bells. Has the weight of the human...
It may only be his second feature-length fictional narrative, but writer/director Guy Édoin's Ville-Marie is something special. The title is named after the Mon...
After Michael Lennox's success with the Oscar-nominated short Boogaloo and Graham, it was only a matter of time before he'd delve back into the feature game wit...
We Monsters doesn’t dally but dives straight in -- the action and crux of the story is virtually immediate. Hip dad Paul (Mehdi Nebbou) and his moody teen Sarah...
The buzz on Adil El Arbi and Bilall Fallah's film Black is that it's a contemporary take on a Shakespearean classic. Saying as much is an apt description and Ro...
Writer/director Ben Rivers' The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers is a lot more than merely a movie. It is quite literally ...
A Heavy Heart is a film about the almosts, or to be more precise, the almost almosts. It takes place somewhere in Germany in a town/city full of bull headed men...
If it is by now redundant to say that Thai filmmaker Apichatpong Weerasethakul (who understands pronunciation troubles and insists people call him “Joe”) is tru...
We’ve heard it many times before: back in the '50s and '60s, Alfred Hitchcock was considered just a vulgar entertainer, making box-office hits for the unwashed ...
