Celebrating its 30th anniversary last year, Godfrey Reggio's groundbreaking, stunning documentary Koyaanisqatsi paved the way for his two follow-ups and now...
Solely its title suggests a perfect fit for Toronto International Film Festival's late-night genre sidebar Midnight Madness and today brings our first look ...
Although audiences won't see the directorial debut of Jason Bateman, Bad Words (TIFF review), until early next year, he's already lined up his sophomore eff...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
With just a couple of months left to go in the year, we've lost some promising films to 2014 (notably Foxcatcher and The Monuments Men), but there's still a g...
While they missed the opportunity to release the first trailer for Jason Reitman's latest drama on Labor Day, Paramount have settled for the next best holid...
How do you stretch having thirty days left to live into seven years? You put in the work. Ron Woodroff (Matthew McConaughey) didn’t journey towards opening ...
Part of a horror movie’s appeal lies in the allure of its poster, and Adrían García Bogliano’s Here Comes the Devil has delivered one creepy retro-inspired ...
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits r...
One of the most well-received films of the fall festival slate was Richard Ayoade's Submarine follow-up The Double, but oddly the film left TIFF without any...
