Jordan Roberts’ Frankie Go Boom is, above all, a good time. There’s many ways a comedy like this can fail, most run out of steam after promising first act, but ...
The Cabin in the Woods is already going down as the one film this year you'll urge all your friends to see, but won't tell them anything about it. While the tra...
Once upon a time there was an comedian named Chris Farley and a movie named Tommy Boy. Farley, coming from a hardworking middle class Midwestern family, often m...
I had missed Surrogate Valentine at SXSW 2011. However, I learn that Daylight Savings is a continuation of the story of Goh Nakamura (playing himself), an Asian...
Scarlett Road makes a compelling and compassionate argument in its portrait of Rachel Wotton, a mid-30s sex worker in New South Whales Australia, where her indu...
There’s very little redemption in Crazy Eyes, a film that opens with the type of disclosure that appears buried in the end credits next to the copyright informa...
I would have never guessed Louisa Krause had it in her, front and center as a webcam girl in King Kelly, with an opening as she masturbates for her adoring fans...
21 Jump Street is one of the funniest films we're bound to get this year. There was a lot of trepidation because it seemed like a cash-in on a reimagined pr...
After starring in SXSW's opener Cabin in the Woods and playing Dr. Jackson Avery on Grey's Anatomy for the past few years, it was only a matter of time before J...
From the beginning, it is apparent that 21 Jump Street is carving its own, hilarious path. With a story hatched by Jonah Hill and writer Michael Bacall, the...
