After picking up the grand jury prize at South by Southwest Film Festival last year, Adam Leon's drama Gimme the Loot recently hit theaters in New York City...
Something within writer/director Vincent Grashaw led him to come back to his passion project from high school. He wanted to tell the story of juvenile corre...
I should sue TV pitchman Vince Offer for false advertising: a comedy implies humor and potentially laughter, yet not one laugh is found within easily the worst ...
A film like Snap is bound to garner strong reactions. I personally felt conflicted after attending the South By Southwest Film Festival premiere, but over t...
A film can be knocked off track by its main characters. Even a powerful message and an interesting exploration of an idea can’t overcome protagonists that you r...
Grow Up, Tony Phillips, the latest film from young writer/director Emily Hagins has a suffocating charm, something that comes as both a praise and a criticism. ...
“When it comes to punk:, New York has the haircuts, London has the treasures, but Belfast has the reason, ” Terri Hooley remarks in Good Vibrations, the latest ...
Whether true or not, hearing writer/director Vincent Grashaw wrote the first draft of his debut feature Coldwater right after graduating high school in 1999 was...
Medora is an especially powerful and perceptive film, telling a story all too familiar and perhaps all too real -- this is what the shrinking middle and lower c...
Listening to William Shakespeare on the silver screen in the guise of the modern age can be jarring, as we watch people with cell phones and electricity use the...
