SXSW

[SXSW Review] Wild Canaries

A touch of Vertigo, but with a comedic twist, Wild Canaries follows amateur sleuths that have too much time on their hands and end up in over their heads. Writt...

[SXSW Review] Our Vinyl Weighs a Ton

Our Vinyl Weighs a Ton is an insightful and often fun documentary about Stones Throw Records, an imprint started by Chris Manak (aka Peanut Butter Wolf) as a me...

[SXSW Review] Oculus

We all know the game in a horror film these days. Something evil is going to prey on our protagonists and likely try to scare the crap out of us in the process....

[SXSW Review] The Great Invisible

Margaret Brown’s The Great Invisible is often a frank reminder of what George W. Bush once said: “America is addicted to oil.” Exploring the event and aftermath...

[SXSW Review] Faults

With Sound of My Voice, Martha Marcy May Marlene, The Master, and more, filmmakers' fascination with cults seems to have hit a surge as of late, particularly ex...

[SXSW Review] Housebound

Housebound takes the sealed bottle horror genre and waltzes right up to it, telling it that everything you expect, the characters expect as well, and lets thing...