Considering the raw, uncomfortable truths found in Jerrod Carmichael’s comedy, the logline of his directorial debut shouldn’t come as a surprise: two friends m...
There is a stellar moment in Mark Harris’ stunning new biography Mike Nichols: A Life in which the director’s early 70s oddity The Day of the Dolphin is releas...
The biggest block party of 1969 took place over six weeks in central Harlem. Clustered together into the rocky confines of Mt. Morris Park (now Marcus Garvey P...
Any newly-released film, book, or piece of media that begins its story in the latter months of 2019 is signifying something very clear: trouble like we’ve neve...
In their debut feature film, directing duo Harpo and Lenny Guit craft a narrative unlike any other. Mother Schmuckers (Fils de Plouc in their native French) op...
Sharks have been lurking in the depths of our cultural consciousness for decades now. From the fear that Jaws instilled in audiences in 1975 to the endless con...
What if the government didn't strictly tax your paychecks and transactions, but your dreams as well? With their vibrant, imaginative, and genre-melding new fil...
Iuli Gerbase’s The Pink Cloud starts off with a disclaimer: “This film was written in 2017 and shot in 2019. Any resemblance to real life is purely coincidenta...
In 1971, Björn Andrésen was the most beautiful boy in the world. In 2019, he’s the elder of a neopagan commune in rural Sweden, whose inability to commit suici...
The current state of American animated cinema is more than a little disappointing; Pixar, Disney, Dreamworks, and more regurgitate the same formula and offer n...
