Proving that a crowdpleaser doesn’t need to pander to succeed, Puzzle was one of the better films I saw at Sundance this year. Featuring a great Kelly Macdo...
Following the first lineup announcement for the 71st Cannes Film Festival, yesterday Critics' Week arrived, and now today we get two more sidebar reveals. F...
On the heels of the Cannes 2018 lineup (which still has a few titles to add), it's now time for the sidebars of the festival and first up is the annual Crit...
One of the most talked-about films at Sundance this year was Three Identical Strangers, which tells a story so peculiar that you're better off knowing the r...
With only a few features under his belt, Brett Haley has become a mainstay at Sundance Film Festival with his warm-hearted dramedies, showing other filmmake...
After directing one of the most acclaimed documentaries of the century thus far with The Imposter, Bart Layton is back with his follow-up, another feature t...
Lauren Greenfield’s The Queen of Versailles was the perfect and perhaps too prescient portrait of a specific slice of the 1%, and now for her next documenta...
Joining the small but no less inventive subgenre of one-location thrillers, The Guilty provides a worthy refute to the idea that a bigger budget always corr...
