The Souvenir melds two well-trodden subgenres and through Joanna Hogg’s refreshingly unique vision makes each feel entirely original. Her much-anticipated retur...
If the jump scares and horror set pieces of Paranormal Activity or The Conjuring franchises were exchanged for an authentic reckoning of the tangled emotions th...
How does one review the movie about the murderous paintings? Velvet Buzzsaw, written and directed by Dan Gilroy, looks and sounds like some kind of satire; a ta...
There's something special about The Farewell. Written and directed by Lulu Wang and starring Awkwafina, this is the kind of film that feels specific and univers...
If it wasn’t Vin Diesel behind the Fast & the Furious franchise, but rather a second-generation Russian-American living in a frigid Wisconsin, and if our pr...
Street photographer Rafi (Nawazuddin Siddiqui) makes a living snapping tourists in front of the Gateway of India. He has a simple sales pitch: the sun you feel,...
The impetus for The Last Black Man In San Francisco in 2019 makes a lot of sense. Cities like San Francisco have been changing, due to an influx of mostly young...
With it now being over a decade since the Bush-Cheney era, our perspective on the recent history is greater, which means it is time for filmmakers to have a str...
Comparisons to Ari Aster’s Hereditary are legitimate from pretty much the opening scene of The Lodge, Severin Fiala and Veronika Franz’s follow-up to Goodnight...
At the Sundance berth of Grant Sputore’s I Am Mother, an Australian sci-fi chiller in need of some trimming, I found myself far more concerned with the producti...
