Few films make me really laugh out loud, maybe its because of my fondness for the darker psychological fare of filmmaking, but The Guard directed by newcome...
Young, star-crossed love. Every Sundance there's never a shortage of coverage on the subject. This year there's Submarine and Like Crazy, directed by Richard ...
One of the films generating a lot of 'buzz' at this years Sundance film festival is Sean Durkin's debut feature film Martha Marcy May Marlene or as its fond...
Koreans love revenge films and know how to do them well. Such is the case with Ji-Woon Kim's brutal cat and mouse thriller I Saw the Devil which features th...
The first feature length film I saw at this years Sundance film festival was a midnight screening of Silent House, a real-time horror ride from Sundance alu...
Diving head first into identity crisis and refusing to come up for air, John Akomfrah's experimental docu-essay The Nine Muses asks us to question our own i...
With Gustavo Hernández's The Silent House premiering at Cannes last year, it has been a quick turn-around for Open Water filmmakers Chris Kentis and Laura L...
The Film Stage is here at Park City, Utah for the Sundance Film Festival. We kicked off things yesterday seeing the Shorts Program Vol. 1, Project Nim, and...
James Marsh's documentary Project Nim, which chronicles the life of experimental chimp Nim Chimsky (like Noam Chomsky, eh eh?), poses an interesting hypothesi...
Among all the hype that surrounds and engulfs the Sundance Film Festival, there's The Nine Muses, experimental documentarian John Akomfrah's Odyssey-influence...
