Despite its mixed reception (we loved it) at the festival, Antonio Campos' dark character study Simon Killer, starring Brady Corbet is in the final stages o...
The Words, written and directed by Lee Sternthal and Brian Klugman, is an unabashed piece of romantic cinema. It's central romance? The written word; the idea t...
People have been talking in movies since the beginning. Since the late 1920s, audiences have been able to hear them talk. Since Preston Sturges' films, they've ...
Looks like the fascination with found footage horror movies isn’t waning anytime soon. It was announced today that North American distribution rights for th...
One of the films coming out of Sundance this year that is sure to have mainstream appeal is Leslye Headland's Bachelorette. On paper there is no denying the...
Each week within this column we strive to pair the latest in theatrical releases to worthwhile titles currently streaming on Netflix Instant Watch. This week we...
TOH reports that actor/writer/director/provocateur Vincent Gallo has signed on to star in Don't Shoot the Piano Player, which based on the 1956 novel Down T...
Rarely do films fill you with a sense of rage to the point of wanting to throw something at the screen because it is impossible to believe what is unfolding bef...
Smashed, a film about the effects of alcoholism, is a relic in many ways. Alcoholism in movies does not generally hold the same weight as other films about addi...
One of the films that jumped out at me last year was musician/filmmaker Quentin Dupieux's oddball tire slasher flick Rubber. This year the feisty Frenchman ...
