Despite the hilarious Pineapple Express, there's no denying David Gordon Green has been on a downward spiral with each new step into the world of studio comedy....
With John Krokidas’ Kill You Darlings, we are given yet another entry into the still-burgeoning Beat Generation brand. At this Sundance alone, we have been help...
Radius-TWC, a branch-label within the influential Weinstein Company, has been one of the busiest purchasers at the ongoing Sundance Film Festival, having al...
The latest two films to be acquired at the hot-ticket Sundance Film Festival are both very much ones that I'm eager to see. The first, Prince Avalanche, is ...
Returning to Sundance Film Festival just one year after his overlooked drama Smashed, director James Ponsoldt shows a mature step forward with his coming-of-age...
Serving as an engaging antithesis to last year’s Sound of My Voice (a cryptic piece of filmmaking that left a myriad of questions unanswered), Zal Batmanglij’s ...
If one were to ask what film is generating the most buzz at this year's Sundance Film Festival, the answer would most likely be the audacious and provocative Es...
To quote our very enthusiastic review, which went up recently from Sundance: "Stylishly directed and unnerving to its core, Mickle's We Are What We Are is ...
Point in fact, very little is necessary about Fredrik Bond's mostly dreadful feature debut The Necessary Death of Charlie Countryman. Starring Shia LaBeouf as t...
Though most of us haven't yet seen Drake Doremus's Breathe In, his follow-up to the Sundance-winning Like Crazy, most of the early reactions -- including our ow...
