After arriving at Sundance with his first feature-length film, I Am Not a Hipster, director Destin Cretton returned to the festival circuit this year with o...
For any director, we imagine the transition from the commercial and music video realm to features is not without its struggles and at this year's Sundance, ...
Some four years after White Material, the inimitable Claire Denis has reentered our sights with Bastards -- a picture which, though very clearly the result of...
Being a long-time fan of Metallica, I was excited to sit down with Kirk Hammett, the lead guitarist of the legendary heavy metal band. The band's new film, ...
If one considers last month's round-up of films such as Prisoners, Rush, and Enough Said as a worthy appetizer for the fall season, October is the main d...
Back in 2011, on a tiny budget, Evan Glodell's rough-and-tumble Bellflower premiered at Sundance Film Festival to a love-it-or-hate-it response, a notion th...
After picking up a special Jury Prize at Cannes earlier this year, Like Father, Like Son, from acclaimed Japanese director Hirokazu Koreeda (After Life, Sti...
If I had to round up the worst films of last year, there's no question Stephen Frears' aimless, amateurish Lay the Favorite would be near the top of the pil...
One of my favorite movie experiences of recent years was enjoying the vampire flick Stake Land at Fantastic Fest in 2010 and turning around and having a len...
My respect for actor Joseph Gordon-Levitt was only further enhanced by his quality directorial debut, Don Jon. Playing an Italian American ladies man, Go...
