Young Ones, from writer/director Jake Paltrow, opens with a bang, and spends the rest of the time trying to live up to its promise of smart and entertaining sci...
How blue can human eyes get? The question is answered succinctly in Adam Wingard's The Guest, a comfortably diverting riff on most all of the action/thriller el...
Far removed from his cold, clean serial killer character in Dexter, Michael C. Hall's first role following the series' conclusion finds him as a family man put ...
The great adventure at the heart of Zach Braff's Wish I Was Here is the search for purpose. An answer to the question, 'why are we here? And for what reason?' E...
Anton Corbijn's The American is a restrained, absorbing and visually staggering story of an assassin on his final mission, but the marketing sold it as star-pow...
With Saturday Night Live serving as their initial platform, Kristen Wiig and Bill Hader have enjoyed substantial comedic careers in Hollywood, both behind and i...
Rather than start the festival with a title that’s screening in Park City, Radius-TWC have kick-started their Sundance business by acquiring the North American ...
Following his break-out performance in last year's restrained Sundance drama This is Martin Bonner, the talented Paul Eenhoorn has returned to the festival with...
Clearly inheriting its thematic ambition from the old adage of “less is more,” The Sleepwalker takes a good long while to do not too much, and although the jour...
The style of Terrence Malick has long since been a comparison point in many critical examinations, as of late hitting something of a fever pitch. While I rarely...
