In the wake of a tragedy, who decides who gets compensated? And how much? These are the opening queries in Worth, written by Max Borenstein and directed by Sar...
Ever since Hannah Arendt coined the term “the banality of evil” in her 1963 book Eichmann in Jerusalem, it’s been a phrase oft-used in an attempt to describe h...
“Another day working as the nighttime janitor at the tiny French amusement park. Everyone keeps asking me if they can fuck the Tilt-A-Whirl ride. Buddy, they w...
“When he was dry, he believed it was alcohol he needed, but when he had a few drinks in him, he knew it was something else, possibly a woman; and when he had i...
It's a bold move to follow up a festival favorite indie film from a couple of years back with a Los Angeles-set series of vignettes punctuated by poetry. Such ...
Three hours north of New York City in a modest summer camp near Woodstock, the foundation was laid for what would become a monumental change for millions of pe...
"It's all just fucking impossible." So says Taylor Swift, in reference to being a young female in show business. Being too bold draws this criticism, too safe ...
From Horse Money to Colossal Youth and beyond, Pedro Costa has consistently impressed with his enigmatic and austere works, turning his camera to the disenfran...
After making her acting debut at the beginning of the previous decade with Athina Rachel Tsangari’s Attenberg, Ariane Labed has carved out an impressive career...
