Sundance

[Sundance Review] Nasty Baby

Sebastián Silva is a director who strives for the unexpected. Both premiering at Sundance a few years ago, Magic Magic and Crystal Fairy are wild movies, often ...

[Sundance Review] Ten Thousand Saints

Working in the tried-and-true coming-of-age drama with a focus on sex, drugs and rock-n-roll, Ten Thousands Saints, from directors Robert Pulcini and Shari Spri...

[Sundance Review] Dope

Dope opens with a sense of energy proclaiming that writer-director Rick Famuyiwa has something to say, and he's going to do it in his own particular way. Diffic...

[Sundance Review] Mississippi Grind

After breaking out with the bleak, but masterful character study Half Nelson, filmmaking duo Anna Boden and Ryan Fleck took on baseball with the under-appreciat...

[Sundance Review] Stockholm, Pennsylvania

You can't fault writer/director Nikole Beckwith for a lack of trying. Stockholm, Pennsylvania - starring Saoirse Ronan, Cynthia Nixon and Jason Isaacs - dives h...

[Sundance Review] Slow West

The treacherous landscape of the west has been captured in numerous entries in the genre, but rarely with the distinctive vibrancy cinematographer Robbie Ryan (...

[Sundance Review] The Overnight

Things get weird, and then some, in Patrick Brice's engaging and bizarre new comedy The Overnight. As with the majority of Duplass-produced features, we follow ...

[Sundance Review] The Bronze

There simply aren't enough female-led anti-hero stories. They're always refreshing to see, because we've already witnessed plenty of tortured males trying to su...

[Sundance Review] Z For Zachariah

At the opening of Craig Zobel’s Z For Zachariah, it’s the end of the world and there is a woman surviving on her own. That woman’s name is Ann (Margot Robbie), ...

[Sundance Review] The Witch

"We will conquer this wilderness. It will not consume us," foreshadows our patriarch in the first act of The Witch, a delightfully insane bit of 17th century de...