With Room 237, director Rodney Ascher provided a highly entertaining exploration of over-analyzation as it pertains to Stanley Kubrick's The Shining. He now ret...
Whether it's Martha Marcy May Marlene or Sound of My Voice or this year's The Wolfpack, we've seen a number of films at Sundance deal with communes and closed c...
Regardless of one's budget, a well-executed, smart idea can sell science fiction films on the smallest of scales. With seemingly little resources, the writing a...
Growing up one can often feel sheltered from the outside world, whether its through parental restrictions, lack of a social life, or the location of one's upbri...
For a good long while, Cop Car, directed by Jon Watts, plays like a wonderful genre picture, featuring two impressive lead performances from child actors James ...
Joe Swanberg keeps getting better and better. A few years ago, Swanberg seriously stepped up his game with his highest-profile film yet, Drinking Buddies. The f...
In 2004, director Jared Hess was behind one of the most successful indies of the year: Napoleon Dynamite. The two films of his which followed that wild success ...
Originally designed to be another collaboration between Robert Redford and Paul Newman, A Walk in the Woods is now coming to the screen with Redford intact and ...
She may have recently been cast in Ghostbusters, but Kristin Wiig keeps her indie sensibilities very much intact. Before she stopped by this year's Sundance...
From top to toe, Mora Stephens' Zipper plays like one of those sections in certain House of Cards episodes that feel cheap and easy and trashy. For a minute or ...
