When it was announced that Boys State had been picked up by A24 and Apple for $12 million–setting the record for a documentary sale at a festival and one of th...
Lush and elegant with beautiful performances, the jazzy period melodrama Sylvie’s Love plays many notes exceptionally well. It’s a shame its plotting and pacin...
As Rial (Wunmi Mosaku) sits in a hospital, a doctor (Emily Taaffe) takes her blood and notices marks on her skin. One is on her arm; the other, the right side ...
The draws of living inside The Villages, the largest over-55 retirement community in the country, are readily apparent. For the nearly 115,000 veterans planted...
There are myriad reasons why a film can fall far short of its ambitions. A lack of funds to truly achieve a vision, an unpolished script forced into production...
Carving out a career that seems wholly based on personal taste rather than following the whims of what an audience may enjoy, Viggo Mortensen earned ubiquitous...
In just three films, writer-director Eliza Hittman has crafted some of the most vivid, intimate coming-of-age dramas of the century thus far. Following 2013's ...
Has there been a great feature made about the opioid crisis in America? Director Braden King is determined to answer the question "yes" with The Evening Hour, ...
Directed and co-written by Florian Zeller from his own play, The Father doesn’t have much visual flair. It’s a first feature, largely takes place in one apartm...
A Michael Almereyda film can be a special thing. A few years back, the writer/director gave us Experimenter, an impressive kinda-biopic of Stanley Milgram star...
