It's not so much the question of whether or not Claire Denis and Tindersticks are modern cinema's most fruitful director-musician collaboration; it's more a ma...
It's been nine years since Tindersticks released a Claire Denis soundtrack; every listen to Stars at Noon (of which I've had several this week) justifies that ...
Claire Denis has had a busy year. Her two films, Both Sides of the Blade and Stars at Noon, premiered at Berlinale and Cannes, respectively. Blade earned the S...
A true Tindersticks fan will only welcome whatever's next, but even by such open-armed standards was I dazzled by their soundtrack for Stars at Noon, the (give...
It's now evident that smaller-scale projects from Claire Denis that she completes while waiting for the larger-scale ones to get off the ground are more artist...
It’s intriguing for a long-term fan of a director, perhaps even one whose films you’ve grown up alongside the last decade or two, to watch them stumble slightl...
With a Hamaguchi-like approach to 2022, Claire Denis premiered her stellar, small-scale melodrama Both Sides of the Blade at Berlinale and now debuts a higher-...
Following the premiere of her stellar first film of 2022, Both Sides of the Blade, we're now just a few weeks away from the debut of Claire Denis' The Stars at...
