When it comes to the finest breakthrough directors of last year, Anna Rose Holmer and Barry Jenkins are among the top. The latter helmed the emotionally pie...
Sonita Alizadeh is a social media sensation, her music and life story having made her a cause celebre of the progressive blogosphere. A teenage female Afghan ra...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
Since 1989, the National Film Registry of the Library of Congress has been accomplishing the important task of preserving films that “represent important cu...
Nostalgia can be an unwieldy tool in the world of filmmaking. Few features manage to effectively capture the charms of a certain time period, either going o...
Dailies is a round-up of essential film writing, news bits, and other highlights from our colleagues across the Internet -- and, occasionally, our own write...
It was just yesterday when we brought you the news of Vincent Gallo's next film, a Japanese thriller titled Human Trust, and now we've got a new look at his...
Although dozens of films have borrowed from Vittorio De Sica's 1948 Italian neo-realist classic The Bicycle Thieves (see last year's Chris Weitz drama A Bet...
Judging by the advertisements for Contraband, I expected to watch a half-baked actioner with big beats and little brains (let alone heart). Instead the film...
