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[Cannes Review] Leviathan

If there is a very loose thread connecting contemporary Russian cinema to its artistic heritage, it is that its best filmmakers still exude a desire to produce ...

[Cannes Review] Two Days, One Night

“I can’t stop crying,” Sandra tells herself as she walks through her home. Her phone is ringing, and she needs her pills to calm down. Her fault is not that she...

Danny King’s Top 10 Films of 2013

Closing out our year-end coverage is individual top ten lists from a variety of The Film Stage contributors, leading up to a cumulative best-of rundown. Make ...