Jia Zhangke is one of contemporary China's certified masters, and his newest work Ash is Purest White marks a key point in an ongoing dance between social-r...
Following Summer Hours and Clouds of Sils Maria, Juliette Binoche has reteamed with Olivier Assayas's Non-Fiction (aka Double Vies), which jumps from conver...
In a not-so-bold prediction, when the books are closed on 2019 films, few performances will stand out as much as Elisabeth Moss in Her Smell. Alex Ross Perr...
There’s always been an immediacy to the films of Olivier Assayas, but few have felt more timely than his latest, Non-Fiction (aka Double Vies), which jumps ...
A decade ago Argentine filmmaker Mariano Llinás released his four-hour drama Extraordinary Stories, which was only a taste of what to expect when it came to...
Jodie Mack’s work is vital, both in the sense that it is an essential cornerstone of modern film practice but also–and more significantly–alive. With a stop-mot...
A number of great artists found their start in fashion photography, the glamor and fastidiousness of the industry attracting all sorts of imagistic visionaries....
She may be expanding her scope (and reaching entirely new audiences with her first foray into the English language with a Robert Pattinson-led A24 release),...
Albert Serra, after portraying The Death of Louis XIV, reincarnates the infamous monarch in a modern neon-red purgatory. The familiar face of Jean Pierre-Leaud ...
